Can't say enough about the team at Post Woodworking, Inc., from Karen in the office to the team that... put up this beauty starting at 7AM and were done before lunch, Kyle, Aaron and Billy. After what sounded like a late night at the shop the night prior, they were still on site bright and early as promised and still energized and ready to show their pride in their work. Couldn't be more happy with our 14' x 20' Cohasset. See More
Well, not these plans. You have the option of building a very functional and spacious lean-to shed on different foundations. Your foundation choices are: concrete slab, a wooden floor supported by concrete piers, or a wooden floor supported by skids. That lost option also means that your lean-to could be mobile as well so you won’t have to decide where you want to permanently put it.
You can buy sandpaper, glue, and other consumables from them for a nominal price. Their hand tools are propitiatory though so you would have to buy a specific kind of orbital sandpaper, for example. You couldn't just get generic. They are reasonably priced though. There is literally a coffee can with money in it and prices written on the boxes with these consumables. If you think you might burn through enough sand paper on something, check the brand and price shop.
Even with all of those faults my only regret is that it is too ugly. I didn’t take the time to make it more visually attractive as I was eager to get right into making beautiful furniture instead. Twenty years later the furniture is still beautiful (or not) but I go out to the shop and look at a drab uninspiring workplace. Yeah, nothing wrong with having a visually inspiring workplace in my opinion. All that shop furniture I slapped together years ago with no concern about aesthetics is getting replaced bit by bit. Why should my shop be downright ugly when it is one of my favorite places in the world to spend my time? I see no reason for that, but that’s just my opinion and as we all know everyone has their own one of those… Sadly, no one pays nor reveres me when I offer mine. bummer, I could be a rich egotistical maniac if they did coz I sure offer it enough. 😉
Students will make two pens at the lathe, one of solid wood and one of your own design built up from several pieces of wood. Since turning pens is a quick process, we will have time to teach you how to choose woods, how to prepare and mount wood on the lathe, and several of the more popular finishes. We will cover safe operation of a lathe, demonstrate how to use common woodworking tools, practice tool sharpening techniques, and discuss options for what kind of lathe you might want in the future, from a small pen lathe to more robust machines that can handle much bigger projects. Bring clothes that can get dirty.
This is definitely going to be one of the easiest woodworking projects you’ll be reading about today. So why not just get started? The tutorial link is given below. Just do exactly what they are saying in the tutorial and you will end up making a beautiful wooden doormat just like the one in the image above. They are using pine wood to build this doormat. You can choose any wood material that best suits your budget.
The Classic Workbench is constructed entirely with in-compression-for-eternity drawbored mortise and tenons. It's as solid as humans can make it, short of growing a tree in the shape of a bench. The bench arrives at your shop completely assembled and ready to use. It doesn't knock down. The bench is built to the highest standards of traditional German craftsmanship in the utopian village of Amana Iowa. Our collaboration with the craftsmen in Amana, along with our experience in traditional workholding has yielded a workbench that is truly heirloom quality, but offered at what we think is a very reasonable price. We consider our flagship Split-Top Roubo as nearing the pinnacle of bench design (if there is such a thing) but we wanted to offer an essential bench built to high standards--an approachable but bulletproof tool for passionate enthusiasts of all levels, but especially intended for those just getting into the craft. Our principal bench maker has been steeped in the craft at the Amana Furniture Shop for nearly 50 years. Needless to say, a century and a half of woodworking tradition in Amana directly back to 19th century Germany speaks for itself. Many of the Amana craftsmen are multi-generational woodworkers.
In each Practical Woodworking Class, the daily mix consists of intensive lecture, demonstration, and student practice lab time. Lecture periods are interactive, informative, and intensive but are also an enjoyable experience. Generally, each joinery and fabrication process is demonstrated in several ways to reach or achieve the same results. For example, processes are first demonstrated with the use of hand tools. Next, the same joint or procedure is done with simple hand held power tools (such as the router). Then, the entire process is demonstrated with stationary equipment such as the table saw, drill press, and mortiser. Students choose whichever production method works best for them and is in keeping with their plan to equip a home workshop and/or around their existing home tooling.
To mark the centerline, set a compass to span something more than half the width of the leg. Draw an arc from corner of the leg. The point where the arcs intersect will be on the centerline. With a centerline point on each end of the leg, place a scribe on the point, slide a straightedge up to touch the scribe. Do the same on the other end. When you have the straightedge positioned so that you can touch both points with the scribe, and in each case it is touching the straightedge - without moving the straightedge - scribe the line. Use scribes, rather than pencils or pens, because they make more precise marks.
The base needs to be as wide as the sum of width of the guide strip and the distance from the edge of the shoe, plus a bit extra, With my saw, the overhang is 3-1/2", so I made my guide strip 5-1/2" wide. The distance between from the edge of the shoe to the blade is about 4-1/2", so the base needs to be at least 10" wide. Since I was working with a 24" wide sheet, I just sliced it down the middle.
These sorts of things are usually glued and screwed, but it's actually the glue that holds them together - the screws just hold everything tight while the glue cures. Screwing into hardboard or 1/4" ply is an exercise in futility, so I just used glue, and used my two 4x4's as long clamps. It would have been a bit easier, if I'd done this before I'd rough-cut the 4x4's, but it worked out.
The book is well written and easy to read. The illustrations, I'm sure were excellent in 1914 and, are still adequite now. Most of the designs seemed repetitive, though. I wish more attention had been given to lashing materials. If you are looking for that you will find almost none here. The book was fun to read and provided enough inspiration to make my brother and me attempt a large hut.