I’m building my second bench. I built the first years ago with wood from old machinery pallets – mostly oak and maple. Mortised the legs into the base, and pegged ’em with 1″ dowels. Of course, the legs warped a bit, but that made everything tighter and stronger. The top is 2″ thick Ash, one board cut in half and joined side to side. Wrapped a maple apron around the top, and I think I screwed the top from underneath to the leg braces. Solid. Over time, built a cabinet under for 3 drawers and a small cabinet door. Works for me.
The reason I'd cut out the rectangles in the vise support was that I'd intended to put a benchdog hole through each, and I wanted the thickness of the top to be the same for all of the benchdog holes. Where I messed up was in not cutting out the ends, between the bolt tabs. I'd intended to put a benchdog hole through there, as well, but I'd forgotten to cut out the segments prior to glue0up.
If you're using drywall screws, you'll want to countersink the holes. Drywall screws are flat-head, and need a countersink to seat solidly. If you're using Kreg pocket screws, the way I did, you won't want to counter-sink the holes. Kreg screws are pan-head, and seat just fine against a flat surface. Both drywall screws and Kreg pocket screws are self-threading, so you don't need pilot holes in the second sheet of MDF.
I wanted the left edge of the jaw of the front vise to be flush with the left edge of the top, the right edge with the left edge of the left front leg. So the amount of overhang on the left depends upon the width of the front vise jaw. The width of the jaw is, at a minimum, the width of the plate that supports it, but it's normal to make the jaw extend a bit beyond the plate. How far? The more it extends, the deeper a bite you can take with the edge of the vise, when, for example, you are clamping the side of a board being held vertically. But the more it extends, the less support it has. I decided to extend by 1-12", which gives me a 2-1/2" bite, and which should still provide solid support, given that the jaw is 1-1/2" thick. This means the top needs a left overhang of 12-1/4".
Every single person in the class was a novice when they walked in. We all made mistakes at some point, yet none of us really ever felt bad about these hiccups. Inevitably, Bob turned these mistakes into problem-solving opportunities where we could explore new ideas. So what if one morning I skipped coffee and accidentally spent 10 minutes drilling random-ass, pointless domino mortises in the middle of my bench legs? 4 dominos, some sawdust and glue, a little bit of sawing and sanding-- I've got four new inlays on my legs and nobody's the wiser. Not only do I now know how to roll with the punches when building something, but I've got a bench that's uniquely mine AND I don't feel like an idiot. And that last part is a serious feat.
In class, each student will build a detailed hall table that is complete with mortise and tenon joinery, biscuit, dowel, and floating joint construction. The student project is presented with a variety of design options and formats as to meet the experience and comfort level of each student. Depending on their experience and comfort level, students are encouraged to make a simplified version of the hall table or tackle a more sophisticated and complicated version of the same project. Your only limitation is the amount of material you receive in your lumber pack (~24 board feet).
I made a low table out of a couple of step-stools, my hollow-core door, and one of the MDF panels that would eventually form part of my top. I was concerned that any oil that dripped on the door might interfere with its glue adhesion, when I finally get around to the project for which I'd purchased it. The top side of the top sheet of MDF, though, I planned to oil, anyway. (Ditto for the bottom side of the bottom sheet.
My name is Takami Kawai and I'm a traditional Japanese carpenter and architect with over 16 years of experience in sustainable design and construction. As much as conditions allow, I enjoy using traditional Japanese techniques. My experience includes working for the world renown, Ise Jingu Grand Shrine. I have also hosted numerous presentations on traditional Japanese woodworking. Now, I run a small construction firm, Suikoushya, which specializes in the restoration of traditional Japanese houses.
Our Lexington model was designed to match many traditional New England homes, in Massachusetts and beyond. The steep pitch of the roof is built to withstand sometimes-punishing New England snow loads and complement today’s home design styles. Post Woodworking can match most vinyl siding colors, so that your shed color will coordinate with your home as well. And as is the case with all of our sheds, interior solar lighting is available to light up the night.