This Vermont Farmhouse by Real Good Toys is as pretty as the real thing. And if the seven-room home isn't big enough for the serial renovator in your kid, the site also sells additions that add two rooms to either end of the house. Just like the homes old-house lovers hope to own, this farmhouse comes with real wood shingles, wood floors, interior crown molding and a spacious porch.
I wanted the left edge of the jaw of the front vise to be flush with the left edge of the top, the right edge with the left edge of the left front leg. So the amount of overhang on the left depends upon the width of the front vise jaw. The width of the jaw is, at a minimum, the width of the plate that supports it, but it's normal to make the jaw extend a bit beyond the plate. How far? The more it extends, the deeper a bite you can take with the edge of the vise, when, for example, you are clamping the side of a board being held vertically. But the more it extends, the less support it has. I decided to extend by 1-12", which gives me a 2-1/2" bite, and which should still provide solid support, given that the jaw is 1-1/2" thick. This means the top needs a left overhang of 12-1/4".
An excellent introduction to woodworking is to use crates as your main material. The boxes are already formed, which means less assembly work for you—yet it looks impressive once your project is altogether. With this crate coffee table, you still get to practice your skills adding the casters and the center box. Finish with a little stain, and this table is ready to roll. You can find the full tutorial at DIY Vintage Chic.
The reason I'd cut out the rectangles in the vise support was that I'd intended to put a benchdog hole through each, and I wanted the thickness of the top to be the same for all of the benchdog holes. Where I messed up was in not cutting out the ends, between the bolt tabs. I'd intended to put a benchdog hole through there, as well, but I'd forgotten to cut out the segments prior to glue0up.
In 2006 Jonathan Schwennesen had an opportunity to begin an informal apprenticeship at the age of 17. He spent 4 years working as an apprentice in the Heritage School of Woodworking, learning the fundamental skills needed to build custom and speculative pieces of furniture. Next he began working for Homestead Heritage Furniture building custom furniture for different clients, gaining additional experience and knowledge making Windsor chairs, federal-style cabinets, clocks, workbenches, sleigh beds and even a waterwheel! It was during this time that he began to show an interest in teaching. Jonathan became a teacher’s assistant in 2009. He quickly began gaining the knowledge and skill to teach some classes himself. Now he spends most of his time working for the woodworking school. “My desire is to teach others an important aspect of life: working with your hands.”
The Classic Workbench is simple to use. The leg vise is used primarily for working the edges of boards and the ends of narrower boards. This is self explanatory. To work the faces of boards along the grain, tap up the planing stop (don’t make it any higher than necessary) and butt the end of the board into the teeth of the stop. With the right technique you can plane across wide boards without repositioning the board. You usually don’t need to tap the opposite end of the board to engage it with the stop, but in some cases, especially with rougher stock, you may need to give a tap with your mallet. Working the faces of a stack of boards is extremely quick with the planing stop since you don’t have to open and close a vise constantly. To work across the face of a board, make yourself a doe’s foot and position it at the back corner of the board, holding it down with a holdfast. The doe’s foot is simply a piece of wood with a V-shaped notch cut into one end. The bottomsurface of the doe’s foot can be lined with sandpaper or Crubber to help it stay put on the bench top. To work long boards, fasten a batten to the right leg with a holdfast and use that to support the end of the long board. We’ve found that a deadman is not necessary for the majority of work, especially on a bench of this length. For working the ends of smaller boards the leg vise can be used, but for precision work like dovetailing, we use and recommend our Moxon Vise.
My first shop was a 8 x 10 ft room, actually a bedroom, with 10 ft high ceilings in a older home in Chicago. I had a 10" Craftsman TS, drill press, 8 1/4" Skil saw which still works, some welding tanks, hand tools and... my bed was a loft across the 10 ft length 4 ft down from the ceiling with a ladder against the wall to get up. I was 16 yrs old then, now I am 66 yrs, have 2 shops with Craftsman power tools up stairs, and Grizzly tools ,a Powermatic 68, a MIG welder, and other tools on the ground floor. I've come a long way, You think? I remember making bases for sculptures called "plinths", my first commission, in the living room, 5 pieces rather large, several ft long and wide. The house was haunted, and my mom told the "spirit" to leave and go back downstairs. There was a cold draft and the straw chair would rustle with no one sitting in it. Wow, does that bring back memories from the '60's.
Post Woodworking’s Hampton shed is a major standout in design. The sleek farmers porch immediately draws the eye into its pure New England charm and provides the utility of shade and a cool place to sit and enjoy a cold one. Like all of our sheds, the six-panel doors which add to the structure’s aesthetic come standard. They’re made out of fiberglass to last through many decades out in the elements.