My name is Takami Kawai and I'm a traditional Japanese carpenter and architect with over 16 years of experience in sustainable design and construction. As much as conditions allow, I enjoy using traditional Japanese techniques. My experience includes working for the world renown, Ise Jingu Grand Shrine. I have also hosted numerous presentations on traditional Japanese woodworking. Now, I run a small construction firm, Suikoushya, which specializes in the restoration of traditional Japanese houses.
You don’t need a fully equipped shop to enjoy woodworking! In this class, you will learn to design, make, and finish a unique wood box. With an emphasis on tool safety and material exploration, we will use a combination of power tools and hand tools to make boxes of all shapes and sizes. Beginning with a solid block of wood, you will learn how to lay out, cut, sculpt, and reassemble the block into the form of a box. Demonstrated techniques will include hidden hinges, small drawers, pull knobs, and fitted lids, as well as texturing, carving, burning, painting, and finishing. Suitable for beginning and intermediate students, all materials provided.
Assemble the vises, for the final time. You'll not be taking them off again, so tighten everything down, and attach the endplate to the ends of the screw and guide rods. Then mark and drill benchdog holes in the outer jaws inline with the benchdog holes in the top. Generally, through-holes are preferred for benchdogs, so that they don't collect sawdust and gunk. With these vises, that isn't possible, there are screws and guide rods in the way. I drilled them just deep enough to hold a Veritas Bench Pony (their reduced-height benchdog), without it sinking to where I can't get a grip to remove it. Rockler sells some very inexpensive plastic benchdogs that can't be adjusted for height, and aren't as strong as metal or wooden dogs, that I intend to keep in the holes full-time, to keep sawdust from collecting in them.
Stan Beckworth began his woodworking career in 1983. His wide experience in woodworking enables him to teach as a practicing master craftsman. He began woodworking because of a desire to work with his hands and pass some hand skills to his children. Some of the classes he teaches are the Finishing class, Relief Carving class, Foundational Classes and the Advanced Furniture courses, such as the Chest of Drawers and Rocking Chair classes. Stan has spent a lot of time learning about furniture finishes, as well as relief carving, studying with Mary May, a renowned woodcarver in South Carolina. When Stan isn’t teaching, he runs a small remodeling business at his home and builds and refinishes furniture for different clients. He has been commissioned to make furniture for several congressmen as well as refinishing furniture for past presidents. ”Being able to pass on practical skills that are useful for everyday application is what I love to do.”
Our stationary equipment runs the complete range from heavy-duty industrial machines, to inexpensive home shop type of tooling so that each student can compare and contrast the range and versatility of equipment at a wide variety of price points. We spend time on what makes a good machine good, an adequate one adequate, and a lousy machine worthless. We have no commercial sponsors and will share our opinions based on our experiences regarding the quality of one manufacturer over another. There is no better place to kick the tires on a variety of equipment than at our shop.
In each Practical Woodworking Class, the daily mix consists of intensive lecture, demonstration, and student practice lab time. Lecture periods are interactive, informative, and intensive but are also an enjoyable experience. Generally, each joinery and fabrication process is demonstrated in several ways to reach or achieve the same results. For example, processes are first demonstrated with the use of hand tools. Next, the same joint or procedure is done with simple hand held power tools (such as the router). Then, the entire process is demonstrated with stationary equipment such as the table saw, drill press, and mortiser. Students choose whichever production method works best for them and is in keeping with their plan to equip a home workshop and/or around their existing home tooling.
ALL Red Kits require planing and jointing of wood. Red Kits require the skill and tools to cut and make joints including panels. The woodworker needs to be able to cut, join, assemble and finish. Red Kits require the woodworker to be able to read the plans and to transfer images and dimensions from the plan to the lumber. It supplies all of the needed hand-selected, dimensioned lumber but woodworking knowledge and tools are recommended to be successful with Red Kits.
Our instructors work out of a 27,000 square-foot facility, where over 100 stationary and portable woodworking machines are available. We emphasize hands-on training and real-world experience, and all classes are project-focused. Over forty different classes cover topics including faceframe and frameless cabinet construction, CNC woodworking, architectural millwork, table and casegood construction, hand tools, woodturning, and veneering.
Quality is what we do, YOU will do it too, from day one. We will teach you all stages from choosing hand tools, to picking out wood, to developing your drawings, and building a portfolio of work. There are lots of workshop schools, courses, and magazines that are great for showing you an amateur way of getting a good result. An amateur has no excuse for poor work other than lack of understanding, the amateur has all day to get it right, the professional has not. They must do it right, first time, every day.
In the middle third of the course, you’ll build a tool tote that features dovetails joining bottom-to-end boards; rabbeted and copper-nail pinned side boards; shaped end panels and curved handles passing through angled mortises. This joiner’s tote also features a lift-out box for layout tools with lapped (or optionally dovetailed) corners and a sliding lid.
The base needs to be as wide as the sum of width of the guide strip and the distance from the edge of the shoe, plus a bit extra, With my saw, the overhang is 3-1/2", so I made my guide strip 5-1/2" wide. The distance between from the edge of the shoe to the blade is about 4-1/2", so the base needs to be at least 10" wide. Since I was working with a 24" wide sheet, I just sliced it down the middle.
Glue up the trim on the end, first. Do a dry fit, first, then as you take it apart lay everything where you can easily reach it as you put it back together again, after adding the glue. To help keep the edge piece aligned, I clamped a pair of hardboard scraps at each end. I used the piece of doubled MDF I'd cut off the end as a cawl, to help spread the pressure of the clamps. Squeeze some glue into a small bowl, and use a disposable brush. As you clamp down, position the trim just a little bit proud of the top surface.
My first attempt at making a cutting guide didn't work. What I ended up with worked fine for cutting panels, but the guide-strip was too narrow, and when the saw was extended fully for rough-cutting the 4x4's the clamp heads got in the way. So I made another. Actually, I made two more, so that I could cut one into shorter pieces that would be easier to handle.
If you remember, when drilling the MDF I finished the holes from the other side using a Forstner bit. It made for a clean hole, but the positioning wasn't as precise as I really wanted. So for this, I decided to clamp a length of scrap MDF to the back side, and to drill straight through. My Forstner bits were too short, so I bought an extender. And then I found that the spade bits I was using gave a cleaner exit hole. Whooda thunk?
The tutorial that I am sharing here was written by someone who built this pallet art just to improve the value of a property they wanted to sell fast and they succeed in it. So you can imagine how wonderful this item must look like. I am assuming you do not just want to make this beautiful pallet art so that you can also sell your property easily. Well, whatever your reasons are, this beauty is able to attract anyone who visits your house.
The bench I will be describing differs from both of these in a couple of areas, the most significant of which is the top. Allen's top was made from three layers of 3/4" medium density fiberboard (MDF), topped and edged with 1/4" hardboard. Christiana's top was just two layers of 3/4" MDF. My top is two layers of 3/4" MDF edged with 1/2" oak and topped by a 1-1/2" thick edge-glued oak Ikea countertop. My top is more expensive in both time and money than either Christiana's or Allen's. If you're looking to build something fast and cheap, I'd recommend Allen's approach over Christiana's. The hardboard significantly increases the durability of the top.
The top is supported by the top ends of the legs and the top sides of the top stretchers. Stand your legs on end on a flat surface (like my door) and see if they wobble. If you have an end that isn't quite stable, use it as a foot, where the leveler will make it's flaws unimportant. Check the top edge of each stretcher for straightness. If one has a bit of a bow, use it for a lower stretcher. It's less critical that the shelf be well supported along its length.
Cerritos College Woodworking, one of the finest woodworking schools in Southern California, offers classes in furniture making, cabinetmaking, CNC woodworking, and related topics. Cerritos is the school for you, whether your goal is to acquire new knowledge, gain confidence in or improve your skills, enter the field of professional woodworking, or develop a rewarding hobby.
A woodworker's workbench isn't a table, it's a work-holding system. It's not something you set things on top of, it's a tool that holds your work. Where a worktable might have a machinist's vise bolted to its top, a woodworker's bench is built to accommodate a number of different workholding mechanisms, such as bench dogs, planing stops, hold fasts, or board jacks, and will usually have one more woodworker's vises integrated into its structure.
I ended up making a number of practice cuts. The first revealed that I hadn't tightened the screws on the edge guide enough. The second revealed that the design of the edge guide provided very little support at the end of a board, because of the cut-out for the router bit. In the "Getting Started in Woodworking" video, they had screwed a piece of hardwood to the edge-guide, to provide a continuous -- and longer -- bearing surface. I may do that myself, some day, but I didn't have the materials at hand, so I clamped some 2x4 scrap to the end of each board, to provide a continuous bearing surface past the ends. The two grooves in the long stretchers and the side groove in the short stretchers have identical layout. I made practice cuts in scrap until I had the edge guide set correctly, then I cut them all with that one setting. The bottom groove of the short stretchers uses a different setup, so it was back to the scrap, before cutting them.
The Cape Ann Shed was designed with coastal New England in mind. So yard work may feel like you’re actually on vacation. From Cape Cod to the beaches of Maine, you will find a Post Woodworking Cape Ann shed adorning the yards of thousands of homes. It’s a popular style with our customers – whether they make their home by street or by sea. An affordable choice for an outdoor structure, the Cape Ann brings functional elements with nautical appeal.